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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Victresses</text>
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                  <text>Women who have won a contest; in practice this is the same as attested participants since the preserved sources only inform us about successful women.</text>
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              <text>Aristodemos and Phanion honor their victorious daughter. Unfortunately the name of the daughter and the kind of contest are no longer legible on the damaged stone; it is not certain that this was a sports contest. Some scholars take the name Phanion to be that of the athlete, but epigraphically this is unlikely.</text>
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              <text>Aristodemos, the son of Aristanax, and&#13;
Phanion, the daughter of Onesandros, (dedicated this statue of)&#13;
… their daughter,&#13;
who won …,&#13;
to Leto.</text>
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              <text>translation by Alexander Meeus for the Cynisca project</text>
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              <text>[Ἀ]ριστ[ό]δημος Ἀριστάνακτο[ς]&#13;
[Φά]νιον vac. Ὀνησάνδρου&#13;
․․ΕΜ․․․ τὴν θυγατέρα&#13;
νικήσασαν&#13;
Λητοῖ.</text>
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              <text>F. Graf, Nordionische Kulte: religionsgeschichtliche und epigraphische Untersuchungen zu den Kulten von Chios, Erythrai, Klazomenai und Phokaia, Rome 1985.</text>
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          <name>Bibliography</name>
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              <text>F. Graf, Nordionische Kulte: religionsgeschichtliche und epigraphische Untersuchungen zu den Kulten von Chios, Erythrai, Klazomenai und Phokaia, Rome 1985.</text>
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              <text>Dedication</text>
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                <text>SEG 35.933: victory inscription of an unknown victress on Chios</text>
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            <name>Date</name>
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                <text>3rd cent. BCE</text>
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                <text>victory inscription</text>
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        <name>Aristodemos</name>
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        <name>Chios</name>
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        <name>contest</name>
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        <name>daughter</name>
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        <name>Leto</name>
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        <name>parents</name>
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        <name>Phanion</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Victresses</text>
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              <description>An account of the resource</description>
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                  <text>Women who have won a contest; in practice this is the same as attested participants since the preserved sources only inform us about successful women.</text>
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          <name>Source Type</name>
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            <elementText elementTextId="1693">
              <text>inscription </text>
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              <text>Other editions include: Graninger 2011, 162, no. 2.</text>
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              <text>ll.18–19&#13;
in the two-foal chariot race:&#13;
Aristokleia, daughter of Megalokles of Larisa</text>
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              <text>translation by Melanie Meaker for the Cynisca project</text>
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            <elementText elementTextId="1697">
              <text>ll.18–19&#13;
συνωρίδι πωλικῇ&#13;
 Ἀριστόκλεια Μεγαλοκλέους Λαρισαία&#13;
</text>
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        <element elementId="193">
          <name>Edition used</name>
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            <elementText elementTextId="1698">
              <text>O. Kern (ed.), Inscriptiones Graecae, IX.2: Inscriptiones Thessaliae, Berlin 1908.</text>
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        <element elementId="36">
          <name>Bibliography</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1699">
              <text>D. Graninger, Cult and Koinon in Hellenistic Thessaly, Leiden and Boston 2011.</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Larisa</text>
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              <elementText elementTextId="1690">
                <text>IG IX, 2, 526: victory list of the Eleutheria in Larisa</text>
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            <name>Date</name>
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              <elementText elementTextId="1691">
                <text>ca. 196–150 BCE&#13;
</text>
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                <text>victor list </text>
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        <name>Aristokleia</name>
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      <tag tagId="43">
        <name>contest</name>
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      <tag tagId="162">
        <name>Eleutheria</name>
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      <tag tagId="159">
        <name>hippic contest</name>
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      <tag tagId="163">
        <name>Larisa</name>
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      <tag tagId="189">
        <name>Megalokles</name>
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      <tag tagId="164">
        <name>Thessaly</name>
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                  <text>Victresses</text>
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                  <text>Women who have won a contest; in practice this is the same as attested participants since the preserved sources only inform us about successful women.</text>
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        <element elementId="189">
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            <elementText elementTextId="1708">
              <text>The epigram's narrator is probably Berenice Syra who won the tethrippon in an unknown Olympiad between 264 and 256 BCE; some scholars, however, identify her as Berenice II. It celebrates three generations of victorious Ptolemaic royals at the Olympic chariot races: Berenice herself; her parents, Ptolemy II and Arsinoe (probably the stepmother Arsinoe II); her grandparents, Ptolemy I and Berenice I. &lt;strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;a href="https://fdz.bib.uni-mannheim.de/cynisca/items/show/56"&gt;Plinius Maior, Naturalis Historia 7.133&lt;/a&gt; shows that such exceptional family success across three generations was indeed greatly admired (note that the Berenice who is mentioned there is not to be confused with any of the Ptolemaic royals of that name).&lt;br /&gt;&lt;span&gt;The poem implies that the Ptolemies drove their chariots themselves, but this should not be taken literally (as is explained &lt;a href="http://ancientolympics.arts.kuleuven.be/eng/TC008EN.html"&gt;here&lt;/a&gt;).&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;The Pisaeans are the people of &lt;a href="http://ancientolympics.arts.kuleuven.be/eng/TA020EN.html"&gt;Pisa&lt;/a&gt;, a small town near Olympia that originally was in charge of the games. Here the word is merely used as a poetic synonym.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;The poem is only preserved on papyrus and some parts are no longer legible. For a translation including a tentative reconstruction of the lost parts, click &lt;a href="https://chs.harvard.edu/english-hippika/"&gt;here&lt;/a&gt;.</text>
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              <text>Sing of my fame, all you singers, [...]&#13;
proclaiming what is known, because my reputation [...]&#13;
My grandfather Ptolemy won with the chariot &#13;
when he drove his horse on the racecourse of the Pisaeans,&#13;
as did Berenice, the mother of my father. Likewise with the chariot&#13;
my father seized victory, a king who bears&#13;
his royal father’s name. All three victories with the four-horse team&#13;
Arsinoe won at a single edition of the contest.&#13;
[...] holy line [...] of women&#13;
[...] maidenly [...].&#13;
These [...] Olympia saw from a single family,&#13;
children of children victorious with the chariot.&#13;
Sing of the victory wreath of Queen Berenice,&#13;
in the four-horse race with adult animals, you Macedonians.</text>
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            <elementText elementTextId="1710">
              <text>translation by Alexander Meeus for the Cynisca project</text>
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            <elementText elementTextId="1711">
              <text>ε]ἴπατε, πάντεϲ ἀοι̣δ̣ο̣ί, ἐ̣μὸν̣ [κ]λέο̣ϲ̣ ε[.].[&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; γ̣νωϲτὰ λέγειν, ὅτι̣ μοι δ̣ό̣ξ̣[α&lt;br /&gt;ἅρματι μὲ‹ν› γάρ μοι προπάτω̣[ρ Πτολεμ]α̣ῖοϲ ἐν̣[ίκα&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Πιϲαίων ἐλάϲαϲ ἵππον ἐπὶ ϲτα[δίων,&lt;br /&gt;καὶ μήτηρ Βερενίκη ἐμοῦ πατ[ρόϲ· ἅ]ρ̣[μ]ατι δ’ αὖτ̣[ιϲ&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; νίκην εἷλε πατὴ̣ρ̣ ἐ̣‹κ› βαϲιλ̣έω̣[ϲ] βαϲ[̣ι]λεὺϲ&lt;br /&gt;πατρὸϲ ἔχων ὄνομα· ζευκτ[̣ὰϲ δ’] ἐξ̣ή̣ρατο̣ πάϲαϲ&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Ἀρϲ̣ινόη νίκαϲ τρεῖϲ ἑνὸϲ ἐξ ἀέ̣[θλου·&lt;br /&gt;π.[ ±13 ] γένοϲ ἱερὸν [... γυ]ν̣αικῶν&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; κε[ ±12 ] παρθένιοϲ [......]ϲ.&lt;br /&gt;τα̣[ῦ]τ[̣α] μ̣ὲ̣[ν ..... ἐ]π̣εῖδεν Ὀλυ̣[μπ]ί̣α̣ [ἐξ ἑ]νὸϲ οἴκ̣ο̣υ̣&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ἅρ̣μαϲι καὶ παίδων παῖδαϲ ἀεθ̣λ̣ο̣φόρο̣[υ]ϲ̣·&lt;br /&gt;τεθρίππου δὲ τελείο‹υ› ἀείδετε τὸν Βερ[ε]ν̣ί̣κ̣η̣[ϲ&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; τ̣ῆϲ βαϲιλευούϲηϲ, ὦ Μακέτα[ι], ϲτέφανο̣ν.</text>
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              <text>&lt;p&gt;F. Angiò – M. Cuypers – B. Acosta-Hughes – Elizabeth Kosmetatou (eds.), &lt;a href="https://classics-at.chs.harvard.edu/classics1-epigrams/"&gt;New Poems attributed to Posidippus: a text in progress&lt;/a&gt;, Version 15, July 2024.&lt;/p&gt;</text>
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          <description/>
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              <text>&lt;p&gt;Kainz, L. (2016), “We are the best, we are one, and we are Greeks!” Reflections on the Ptolemies’ participation in the Agones, in: C. Mann – S. Remijsen – S. Scharff (eds.), Athletics in the Hellenistic World. Stuttgart: Franz Steiner, 331–53.&lt;/p&gt;&#13;
&lt;p&gt;Mann, C. (2018), &lt;a href="https://doi.org/10.1515/klio-2018-0103"&gt;Könige, Poleis und Athleten in hellenistischer Zeit&lt;/a&gt;, Klio 100, 447–79.&lt;/p&gt;&#13;
&lt;p&gt;Meaker, M. (2024), Women at the Races: Female Victors at Greek hippikoi agones, in: C. Frank – G. Gilles – C. Plastow – L. Webb (eds.), Female Agency in the Ancient Mediterranean, Liverpool, 49–82.&lt;/p&gt;&#13;
&lt;p&gt;Remijsen, S. – S. Scharff (2015), &lt;a href="https://classics-at.chs.harvard.edu/classics13-remijsen-and-scharff/"&gt;The Expression of Identities in Hellenistic Victor Epigrams&lt;/a&gt;, in: T. F. Scanlon (ed.), Greek Sport and Poetry (Classics@ 13), online.&lt;/p&gt;&#13;
&lt;p&gt;Thompson, D.J. (2005), Posidippus, Poet of the Ptolemies, in: K.J. Gutzwiller (ed.), The New Posidippus: A Hellenistic Poetry Book, Oxford, 269–283.&lt;/p&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Posidippus, Hippica AB 78: three generations of victorious Ptolemaic royal women in the Olympic chariot-races</text>
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                <text>3rd century BCE</text>
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                <text>Victory epigram</text>
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        <name>chariot race</name>
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        <name>Olympic games</name>
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        <name>princess Berenice Syra</name>
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                  <text>Victresses</text>
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                  <text>Women who have won a contest; in practice this is the same as attested participants since the preserved sources only inform us about successful women.</text>
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              <text>&lt;p&gt;The royal maiden, indeed, Berenice, with the chariot carries off all victory wreaths for teams of horses at the same time, Nemean Zeus, at your (sanctuary). With the speed of her horses, her chariot left behind, when [...], numerous charioteers; [...] the horses running under the r[ei]n were the fir[st] to reach the Argive [ago]nothetai.&lt;/p&gt;</text>
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              <text>translation by Alexander Meeus for the Cynisca project</text>
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              <text>&lt;p&gt;παρθένοϲ ἡ βαϲίλιϲϲα ϲὺν ἄντυ[γ]ι̣, ν̣αί, Βερε̣νίκη&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; πάνταϲ ἅμα ζευκτοὺϲ ἀθλοφ̣ορεῖ ϲτεφάνουϲ,&lt;/p&gt;&#13;
&lt;p&gt;Ζ̣εῦ παρὰ ϲοὶ Νεμεᾶ̣τα· τάχει δ’ ἀ̣πελί‹μ›πανεν ἵππω̣ν̣&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; δίφρ̣ο̣ϲ̣ ἐπε̣ὶ̣ [.....]ι τὸν πολὺν ἡνίοχον,&lt;/p&gt;&#13;
&lt;p&gt;δαλ[........ ἵ]π̣ποι ὑπὸ ῥ[υτ]ῆρι θέοντεϲ&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; πρῶ[τοι ἐϲ Ἀ]ρ̣γ̣ο̣λικοὺϲ ἦλθον [ἀγω]νοθέταϲ.&lt;/p&gt;</text>
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              <text>&lt;p&gt;F. Angiò – M. Cuypers – B. Acosta-Hughes – Elizabeth Kosmetatou (eds.), &lt;a href="https://classics-at.chs.harvard.edu/classics1-epigrams/"&gt;New Poems attributed to Posidippus: a text in progress&lt;/a&gt;, Version 15, July 2024.&lt;/p&gt;</text>
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              <text>&lt;p&gt;Kainz, L. (2016), “We are the best, we are one, and we are Greeks!” Reflections on the Ptolemies’ participation in the Agones, in: C. Mann – S. Remijsen – S. Scharff (eds.), Athletics in the Hellenistic World. Stuttgart: Franz Steiner, 331–53.&lt;/p&gt;&#13;
&lt;p&gt;Mann, C. (2018), &lt;a href="https://doi.org/10.1515/klio-2018-0103"&gt;Könige, Poleis und Athleten in hellenistischer Zeit&lt;/a&gt;, Klio 100, 447–79.&lt;/p&gt;&#13;
&lt;p&gt;Meaker, M. (2024), Women at the Races: Female Victors at Greek hippikoi agones, in: C. Frank – G. Gilles – C. Plastow – L. Webb (eds.), Female Agency in the Ancient Mediterranean, Liverpool, 49–82.&lt;/p&gt;&#13;
&lt;p&gt;Remijsen, S. – S. Scharff (2015), &lt;a href="https://classics-at.chs.harvard.edu/classics13-remijsen-and-scharff/"&gt;The Expression of Identities in Hellenistic Victor Epigrams&lt;/a&gt;, in: T. F. Scanlon (ed.), Greek Sport and Poetry (Classics@ 13), online.&lt;/p&gt;&#13;
&lt;p&gt;Thompson, D.J. (2005), Posidippus, Poet of the Ptolemies, in: K.J. Gutzwiller (ed.), The New Posidippus: A Hellenistic Poetry Book, Oxford, 269–283.&lt;/p&gt;</text>
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              <text>&lt;p&gt;The Argives are the people of Argos, the city that organized the Nemean Games at this time.&lt;/p&gt;&#13;
&lt;p&gt;Agonothetai are the games' &lt;a href="http://ancientolympics.arts.kuleuven.be/eng/TB028EN.html"&gt;organizers&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Posidippus, Hippica AB 79: the hippic victories of the Ptolemaic princess Berenice Syra(?) at the Nemean games</text>
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              <elementText elementTextId="1715">
                <text>3rd century BCE</text>
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                <text>Victory epigram</text>
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        <name>chariot race</name>
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        <name>maiden</name>
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        <name>Nemea</name>
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        <name>princess Berenice Syra</name>
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        <name>tethrippon</name>
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        <name>Zeus</name>
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                  <text>Women who have won a contest; in practice this is the same as attested participants since the preserved sources only inform us about successful women.</text>
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              <text>The epigram refers to a victory of Berenice’s horses (or chariot?) at the Isthmian games, which she apparently attended with her father, Ptolemy II.</text>
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              <text>[…] of Berenice&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;[…] horse on the race-tracks;&lt;br /&gt;the venerable water of the Peirene admired,&lt;br /&gt;near Acrocorinth, the […] Macedonian girl,&lt;br /&gt;together with her father, Ptolemy. Since you have, on the Isthmus,&lt;br /&gt;so often proclaimed your house winner, the only queen (to do so).</text>
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              <text>translation by Christoph Begass for the Cynisca project</text>
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              <text>&lt;span&gt;ε&lt;/span&gt;̣[..].[&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ±16&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ]&lt;span&gt;γατον&lt;/span&gt; &lt;span&gt;Βερενίκηϲ&lt;/span&gt;&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; .[.]&lt;span&gt;κ&lt;/span&gt;̣[&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ±15&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ]. ἵ̣&lt;span&gt;π&lt;/span&gt;̣&lt;span&gt;π&lt;/span&gt;̣&lt;span&gt;ο&lt;/span&gt;̣&lt;span&gt;ν&lt;/span&gt;̣ ἐ̣&lt;span&gt;π&lt;/span&gt;̣ὶ̣ &lt;span&gt;ϲταδίων&lt;/span&gt;,&lt;br /&gt;τὴ̣ν̣ δὲ̣ [&amp;nbsp;&amp;nbsp; ±10&amp;nbsp;&amp;nbsp;&amp;nbsp; ]νον Μακέτην πέλαϲ ̣Ἀ̣κ̣ρ̣[ο]κ̣[ο]ρ̣ί̣ν̣θ̣[ο]υ̣&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;span&gt;παῖδα&lt;/span&gt; &lt;span&gt;τὸ&lt;/span&gt; &lt;span&gt;Πε&lt;/span&gt;̣&lt;span&gt;ι&lt;/span&gt;[&lt;span&gt;ρήνηϲ&lt;/span&gt; &lt;span&gt;ϲε&lt;/span&gt;]&lt;span&gt;μ&lt;/span&gt;̣&lt;span&gt;νὸν&lt;/span&gt; &lt;span&gt;ἐθα&lt;/span&gt;ύ&lt;span&gt;μαϲ&lt;/span&gt;’ &lt;span&gt;ὕδωρ&lt;/span&gt;&lt;br /&gt;&lt;span&gt;ϲ&lt;/span&gt;ὺ‹&lt;span&gt;ν&lt;/span&gt;› &lt;span&gt;πατρὶ&lt;/span&gt; &lt;span&gt;Π&lt;/span&gt;[&lt;span&gt;τολ&lt;/span&gt;]&lt;span&gt;ε&lt;/span&gt;̣[&lt;span&gt;μ&lt;/span&gt;]&lt;span&gt;α&lt;/span&gt;̣&lt;span&gt;ίωι·&lt;/span&gt; &lt;span&gt;ἐκήρυξαϲ&lt;/span&gt; &lt;span&gt;γὰρ&lt;/span&gt; &lt;span&gt;ἐν&lt;/span&gt; &lt;span&gt;Ἰϲθμῶι&lt;/span&gt;&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; τοϲϲάκιϲ ἀθ̣λ̣[οφ]ό̣ρον δῶμα μόνη βαϲιλίϲ.</text>
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              <text>F. Angiò – M. Cuypers – B. Acosta-Hughes – Elizabeth Kosmetatou (eds.), &lt;a href="https://classics-at.chs.harvard.edu/classics1-epigrams/"&gt;New Poems attributed to Posidippus: a text in progress&lt;/a&gt;, Version 15, July 2024.</text>
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              <text>Kainz, L. (2016), “We are the best, we are one, and we are Greeks!” Reflections on the Ptolemies’ participation in the Agones, in: C. Mann – S. Remijsen – S. Scharff (eds.), Athletics in the Hellenistic World. Stuttgart: Franz Steiner, 331–53.&lt;br /&gt;&lt;br /&gt;Mann, C. (2018), &lt;a href="https://doi.org/10.1515/klio-2018-0103"&gt;Könige, Poleis und Athleten in hellenistischer Zeit&lt;/a&gt;, Klio 100, 447–79.&lt;br /&gt;&lt;br /&gt;Meaker, M. (2024), Women at the Races: Female Victors at Greek hippikoi agones, in: C. Frank – G. Gilles – C. Plastow – L. Webb (eds.), Female Agency in the Ancient Mediterranean, Liverpool, 49–82.&lt;br /&gt;&lt;br /&gt;Remijsen, S. – S. Scharff (2015), &lt;a href="https://classics-at.chs.harvard.edu/classics13-remijsen-and-scharff/"&gt;The Expression of Identities in Hellenistic Victor Epigrams&lt;/a&gt;, in: T. F. Scanlon (ed.), Greek Sport and Poetry (Classics@ 13), online.&lt;br /&gt;&lt;br /&gt;Thompson, D.J. (2005), Posidippus, Poet of the Ptolemies, in: K.J. Gutzwiller (ed.), The New Posidippus: A Hellenistic Poetry Book, Oxford, 269–283.</text>
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                <text>Posidippus, Hippica AB 82: the hippic victories of the Ptolemaic princess Berenice Syra at the Nemean games</text>
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                  <text>Women who have won a contest; in practice this is the same as attested participants since the preserved sources only inform us about successful women.</text>
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              <text>&lt;p&gt;The victorious horses are the narrators of the poem, a trope that is not uncommon in victory epigrams.&lt;br /&gt;&lt;br /&gt;By referring to Berenice as a &lt;em&gt;Maketa&lt;/em&gt; (Macedonian), the Macedonian origin of the Ptolemies is stressed; see also Posidippus &lt;a href="https://fdz.bib.uni-mannheim.de/cynisca/items/show/173"&gt;AB 78&lt;/a&gt; and &lt;a href="https://fdz.bib.uni-mannheim.de/cynisca/items/show/177"&gt;AB 88&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;According to the epigram, Berenice has now surpassed Cynisca’s fame.&lt;/p&gt;</text>
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              <text>When we still were [foals], citizens of Pisa,&lt;br /&gt;we brought to Berenice the Macedonian&lt;br /&gt;the Olympian crown of renowned glory, by which we have taken away the&lt;br /&gt;splendor that Cynisca had in Sparta for a long time.</text>
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              <text>translation by Christoph Begass for the Cynisca project</text>
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              <text>&lt;span&gt;π&lt;/span&gt;̣[&lt;span&gt;ῶλοι&lt;/span&gt;] &lt;span&gt;ἔθ&lt;/span&gt;’ &lt;span&gt;ἁμὲϲ&lt;/span&gt; &lt;span&gt;ἐοῦϲαι&lt;/span&gt; &lt;span&gt;Ὀλυμ&lt;/span&gt;[&lt;span&gt;πια&lt;/span&gt;]&lt;span&gt;κ&lt;/span&gt;̣&lt;span&gt;ὸν&lt;/span&gt; &lt;span&gt;Βερενίκαϲ&lt;/span&gt;,&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;span&gt;Π&lt;/span&gt;̣[&lt;span&gt;ι&lt;/span&gt;]&lt;span&gt;ϲ&lt;/span&gt;̣&lt;span&gt;ᾶ&lt;/span&gt;̣[&lt;span&gt;τ&lt;/span&gt;]&lt;span&gt;α&lt;/span&gt;̣&lt;span&gt;ι&lt;/span&gt; &lt;span&gt;Μακέταϲ&lt;/span&gt; &lt;span&gt;ἀγάγομ&lt;/span&gt;[&lt;span&gt;ε&lt;/span&gt;]&lt;span&gt;ϲ&lt;/span&gt; ̣ &lt;span&gt;ϲτέφανον&lt;/span&gt;,&lt;br /&gt;&lt;span&gt;ὃϲ&lt;/span&gt; &lt;span&gt;τ&lt;/span&gt;̣ὸ̣ [&lt;span&gt;πο&lt;/span&gt;]&lt;span&gt;λυθρύλα&lt;/span&gt;̣&lt;span&gt;τον&lt;/span&gt; &lt;span&gt;ἔχει&lt;/span&gt; &lt;span&gt;κλ&lt;/span&gt;̣&lt;span&gt;ε&lt;/span&gt;̣ό̣&lt;span&gt;ϲ&lt;/span&gt;, &lt;span&gt;ὧι&lt;/span&gt; &lt;span&gt;τὸ&lt;/span&gt; &lt;span&gt;Κυνίϲκαϲ&lt;/span&gt;&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; ἐν Ϲπ̣ά̣[ρ]ται χρόνιον κῦδοϲ ἀφειλόμεθα.</text>
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              <text>&lt;p&gt;F. Angiò – M. Cuypers – B. Acosta-Hughes – Elizabeth Kosmetatou (eds.),&amp;nbsp;&lt;a href="https://classics-at.chs.harvard.edu/classics1-epigrams/"&gt;New Poems attributed to Posidippus: a text in progress&lt;/a&gt;, Version 15, July 2024.&lt;/p&gt;</text>
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              <text>Kainz, L. (2016), “We are the best, we are one, and we are Greeks!” Reflections on the Ptolemies’ participation in the Agones, in: C. Mann – S. Remijsen – S. Scharff (eds.), Athletics in the Hellenistic World. Stuttgart: Franz Steiner, 331–53.&lt;br /&gt;&lt;br /&gt;Mann, C. (2018), &lt;a href="https://doi.org/10.1515/klio-2018-0103"&gt;Könige, Poleis und Athleten in hellenistischer Zeit&lt;/a&gt;, Klio 100, 447–79.&lt;br /&gt;&lt;br /&gt;Meaker, M. (2024), Women at the Races: Female Victors at Greek hippikoi agones, in: C. Frank – G. Gilles – C. Plastow – L. Webb (eds.), Female Agency in the Ancient Mediterranean, Liverpool, 49–82.&lt;br /&gt;&lt;br /&gt;Remijsen, S. – S. Scharff (2015), &lt;a href="https://classics-at.chs.harvard.edu/classics13-remijsen-and-scharff/"&gt;The Expression of Identities in Hellenistic Victor Epigrams&lt;/a&gt;, in: T. F. Scanlon (ed.), Greek Sport and Poetry (Classics@ 13), online.&lt;br /&gt;&lt;br /&gt;Thompson, D.J. (2005), Posidippus, Poet of the Ptolemies, in: K.J. Gutzwiller (ed.), The New Posidippus: A Hellenistic Poetry Book, Oxford, 269–283</text>
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            <description>A name given to the resource</description>
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                <text>Posidippus, AB 87: the hippic victory of the Ptolemaic queen Berenice I at the Olympic games</text>
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                <text>3rd century BCE</text>
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                <text>Victory epigram</text>
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        <name>chariot race</name>
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        <name>Cynisca</name>
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        <name>ethnic</name>
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        <name>hippic contest</name>
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        <name>Macedonia</name>
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        <name>maiden</name>
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        <name>Olympia</name>
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        <name>queen Berenice I</name>
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                  <text>Victresses</text>
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                  <text>Women who have won a contest; in practice this is the same as attested participants since the preserved sources only inform us about successful women.</text>
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              <text>Ptolemy II refers to the victories of his parents, stressing especially his mother’s triumph. Like in &lt;a href="https://fdz.bib.uni-mannheim.de/cynisca/items/show/176"&gt;Posidippus AB 87&lt;/a&gt;, the Ptolemies’ Macedonian origin is emphasized, since Ptolemy I originated from Eordaia (cf. Arrian, Anabasis 6.28.4).</text>
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              <text>First and only, three of us won as kings&lt;br /&gt;the chariot at Olympia, both my parents and I.&lt;br /&gt;One I am, bearing the same name, Ptolemy, Berenice’s&lt;br /&gt;son, of Eordaian origin, two are my parents.&lt;br /&gt;To father’s glory I add my own; but for my mother&lt;br /&gt;to win the chariot race as a woman, that is great.</text>
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              <text>translation by Christoph Begass for the Cynisca project</text>
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              <text>πρῶτο[ι] τρεῖϲ βαϲι̣λῆ̣εϲ Ὀλύμπια καὶ μόνοι ἁμὲϲ&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; ἅρμαϲι νικῶμεϲ̣ κ̣α̣ὶ γονέεϲ καὶ ἐγώ·&lt;br /&gt;ε̣ἷϲ μ̣ὲν ἐγὼ̣ [Π]τολεμαίου ὁμώνυμοϲ, ἐ‹κ› Βερενίκαϲ&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; υ̣ἱ̣[όϲ], Ἐορδαία γέννα, δύω δὲ γονεῖϲ·&lt;br /&gt;†π̣ρ̣ο̣υ μέγα πατρὸϲ εμου† τίθεμαι κλέοϲ, ἀλλ’ ὅτι μάτηρ&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; εἷλε γυνὰ νίκαν ἅρματ‹ι›, τοῦτο μέγα.</text>
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              <text>&lt;p&gt;F. Angiò – M. Cuypers – B. Acosta-Hughes – Elizabeth Kosmetatou (eds.), &lt;a href="https://classics-at.chs.harvard.edu/classics1-epigrams/"&gt;New Poems attributed to Posidippus: a text in progress&lt;/a&gt;, Version 15, July 2024.&lt;/p&gt;</text>
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              <text>Kainz, L. (2016), “We are the best, we are one, and we are Greeks!” Reflections on the Ptolemies’ participation in the Agones, in: C. Mann – S. Remijsen – S. Scharff (eds.), Athletics in the Hellenistic World. Stuttgart: Franz Steiner, 331–53.&lt;br /&gt;&lt;br /&gt;Mann, C. (2018), &lt;a href="https://doi.org/10.1515/klio-2018-0103"&gt;Könige, Poleis und Athleten in hellenistischer Zeit&lt;/a&gt;, Klio 100, 447–79.&lt;br /&gt;&lt;br /&gt;Meaker, M. (2024), Women at the Races: Female Victors at Greek hippikoi agones, in: C. Frank – G. Gilles – C. Plastow – L. Webb (eds.), Female Agency in the Ancient Mediterranean, Liverpool, 49–82.&lt;br /&gt;&lt;br /&gt;Remijsen, S. – S. Scharff (2015), &lt;a href="https://classics-at.chs.harvard.edu/classics13-remijsen-and-scharff/"&gt;The Expression of Identities in Hellenistic Victor Epigrams&lt;/a&gt;, in: T. F. Scanlon (ed.), Greek Sport and Poetry (Classics@ 13), online.&lt;br /&gt;&lt;br /&gt;Thompson, D.J. (2005), Posidippus, Poet of the Ptolemies, in: K.J. Gutzwiller (ed.), The New Posidippus: A Hellenistic Poetry Book, Oxford, 269–283.</text>
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                <text>Posidippus, AB 88: king Ptolemy II boasts about the hippic victory of his mother Berenice I at the Olympic games</text>
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                <text>3rd century BCE</text>
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